Monday, December 29, 2008
Last week, in a moment of panic when I ran out of audio books on my iPod, I did an emergency run to the local library to find something entertaining. Now, this method of book selection is usually haphazard at best, but these were desperate times. I found "Pride and Prejudice" (an exciting morsel) and this book, Tell No One. I'm not sure I've read Harlan Coban before, but the title tickled a memory. TBR list? No, I later discovered that the movie came out recently and was very well reviewed...it is on my Netflix Q. The movie was actually directed by a French fellow, Guillaume Cadet, and takes place in France, but otherwise seems to have retained the general storyline. I remembered that several studios started bidding on the rights to the book before it was even finished, so I was extremely encouraged to read the book.
The premise may sound slightly familiar to you. A doctor's wife mysteriously disappears and is found several days later, murdered and branded, an M.O. connected with a serial killer. Eight years later, two bodies are found that seem to be related with this murder. The case is reopened and new evidence points to the doctor (Alex Beck) as the murderer of his wife. At the same time, the doctor receives haunting e-mails with hidden messages that only his wife would know about, with a plea to "tell no one". Is she alive, or is it a set up? Is he grasping at the few threads of hope still alive in his heart? Authorities launch a city-wide manhunt of Beck, and Beck attempts to chase down evidence to prove his innocence using any means possible. The deceptions and betrayals run up and down the ladder, and chasing the twists and turns leave you breathless and guessing right up to the very end.
So is it me, or does this have strains of The Fugitive in it? That's OK, though. I loved the Fugitive, and this story very quickly distinguishes itself from other familiar plotlines. It is INSANELY fast-paced with unpredictable twists - you won't be able to put this book down so don't start it before you go to bed. At the same time, however, it is a gentle, bittersweet story of a man losing his soul mate, and not getting over it. Even the subplots are satisfying with great character development and easy, flowing prose. I detected not an ounce of anything corny or cliche. And it posed to me some questions to ponder. How far would you go to save the ones you love? If you saw the line between good and evil, would you recognize it? Would you cross that line for the greater good?