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Away is one of those books that I'm not sure I can describe easily. But I can tell you that I loved it. I've not read any of Amy Blooms' works, but talk of her is all over blogdom. I'd heard so much chatter that this book landed on my TBR challenge list for 2009.
Lillian is a young Russian Jew whose entire family has been killed in a Jewish pogrom. Her husband, mother and father, ruthlessly butchered. Her four year old daughter Sophie, missing and presumed dead. Lillian is devastated yet focused and strong-willed. She leaves for America - a new life, a new start - and hooks up with a relative living in New York. Only when she dreams does she acknowledge the lingering horror that threatens to erode her from the inside out.
Lillian learns quickly what it takes to survive in New York. She doggedly learns the language, and becomes the mistress of a handsome young (and later we find out, gay) actor and his wealthy father. Lillian is in a way very innocent, but extremely practical, and is not afraid to use her sexuality to ensure shelter, food and nice clothes for herself. A visiting relative shockingly reports that indeed Lillian's daughter Sophie is alive, saved by her Russian neighbors, and is possibly living in Siberia. Motivated by love, and the most basic animal instinct of motherhood, Lillian embarks on a journey across America, with the intent of crossing into Russia via the Behring Strait, to find her baby. She encounters your garden variety of characters that assist her and exchange tiny slices of affection with her along the way...a soft-hearted hooker, a Chinese convict and grifter, a widowed constable, a loner running away from the law.
The story is told by a third-person omniscient narrator that almost mimics the tone you would expect to come from someone foreign to America. Basic, matter-of-fact, slightly stilted, but with a sense of humor in experiencing the insanity of the US in the 20's from the perspective of a Russian Jew. With the omniscient narrator, the story becomes one-of-a-kind. We receive these absolutely delightful flash-forwards. As Lillian intersects with each person on her journey, we are allowed to see the future of every one of them, including Lillian herself. We see them take their own lives, have children and die of old age, become lonely and sick, all in an almost nostalgic tone of voice. I have honestly never read a book that treats the peripheral and main characters in such a way. What a gift Amy Bloom has given us! This little gift is what turned a likeable book into one that I love.
Lillian is a young Russian Jew whose entire family has been killed in a Jewish pogrom. Her husband, mother and father, ruthlessly butchered. Her four year old daughter Sophie, missing and presumed dead. Lillian is devastated yet focused and strong-willed. She leaves for America - a new life, a new start - and hooks up with a relative living in New York. Only when she dreams does she acknowledge the lingering horror that threatens to erode her from the inside out.
Lillian learns quickly what it takes to survive in New York. She doggedly learns the language, and becomes the mistress of a handsome young (and later we find out, gay) actor and his wealthy father. Lillian is in a way very innocent, but extremely practical, and is not afraid to use her sexuality to ensure shelter, food and nice clothes for herself. A visiting relative shockingly reports that indeed Lillian's daughter Sophie is alive, saved by her Russian neighbors, and is possibly living in Siberia. Motivated by love, and the most basic animal instinct of motherhood, Lillian embarks on a journey across America, with the intent of crossing into Russia via the Behring Strait, to find her baby. She encounters your garden variety of characters that assist her and exchange tiny slices of affection with her along the way...a soft-hearted hooker, a Chinese convict and grifter, a widowed constable, a loner running away from the law.
The story is told by a third-person omniscient narrator that almost mimics the tone you would expect to come from someone foreign to America. Basic, matter-of-fact, slightly stilted, but with a sense of humor in experiencing the insanity of the US in the 20's from the perspective of a Russian Jew. With the omniscient narrator, the story becomes one-of-a-kind. We receive these absolutely delightful flash-forwards. As Lillian intersects with each person on her journey, we are allowed to see the future of every one of them, including Lillian herself. We see them take their own lives, have children and die of old age, become lonely and sick, all in an almost nostalgic tone of voice. I have honestly never read a book that treats the peripheral and main characters in such a way. What a gift Amy Bloom has given us! This little gift is what turned a likeable book into one that I love.
